Modern Classics Classics are the enduring designs of the pattern world. Good-looking and enormously versatile, they are unaffected by fads or fashion, and give a decorative scheme a mature and thoughtful edge. These are the patterns that have recurred Ð in almost the same forms Ð for centuries. Scrolling patterns with arabesques and acanthus leaves, fleur de lys, trefoils and quatrefoils, borders and frames, knots and key patterns, garlands and medallions, laurel leaves and honeysuckle, Tudor roses, pomegranates, urns and egg-and-dart: they originated in the Roman, Medieval or Renaissance eras, but they can still look absolutely right in a 21st century home. Most classic patterns are highly structured in design. Usually symmetrical, they might feature architectural, Oriental or stylized floral motifs, but theytend to appear organized rather than free-flowing, covering the background well but neither very densely nor very loosely. Their colours are similarlyrestrained, avoiding pastels and brights, but instead involving sophisticated, traditional shades such as claret, navy, chocolate, dark green, mustard yellow, ivory and charcoal. Like toile, most classic patterns tend to be associated with traditionalproduction methods Ð so, for example, wallpaper might be block-printed, flocked, moirŽ (with a wavy, watermarked appearance) or embossed, while fabric is more often woven than printed, using time-honoured techniques such as damask, tapestry or brocade, or employing luscious fabrics such as silk, satin and velvet. Embellishments could include tassels, fringes, tie-backs, ruffles and buttoning, while elsewhere, hand-knotted rugs, tapestry wall hangings and hand-decorated ceramics might also figure. What is great about using classical pattern is that it creates a very serene effect. It has character and presence, but doesnÍt show off about it. Neither bland nor bold, it is an obvious choice for a period home, where it will complement the architecture and overall style superbly. Classic furnishings are its obvious complement. All classic patterns have the ability to look completely timeless or absolutely fresh and contemporary. Colour is often the key. As a rule of thumb, neutral walls (preferably not bright white, which is not a truly historical colour, but off-white, stone or taupe) provide an excellent backdrop for classical patterns, allowing them to look their best without creating an oppressive atmosphere, which can be the case if walls are too dark. Scale, as always with pattern, is another golden rule. Most classical patterns tend to be scaled to suit their usage Ð smaller patterns for a tea cup; larger ones for a wallcovering, and so on Ð so that the sense of discordancy so characteristic of modern over-scaling, is avoided.
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